Because it's nearly flawless. Because it's the perfect coalescence between the classic and the modern, between the organic and the mechanical. Because that gorgeous yellow has real vibrancy, and actual shades within it, and that red 'x' has just the right gestural quality. Because there are just a few elements at work here, and they're all working together. Because it's simple. Because it's Bette Davis, and that look is so iconic.
People are always telling me that my work is too dark. So I've put up this sunnier story, but even it has a shadow, as its original publisher – a fine Atlantic Canadian literary magazine called the Gaspereau Review – is no longer in business. ---------------- It was a simple enough thing and that thing was simply this: Edmund Kelley was a gentleman. Of course his mom called him her 'little gentleman', as in 'Oh Edmund, you are my perfect little gentleman,' which did seem to hold to a certain logic that these type of things often follow, considering her affection for him and the fact that he was, after all, only ten years old. Still, Edmund himself was not particularly fond of the diminutive aspect of that title. Gentleman was enough; gentleman summed up the whole thing rather nicely, thank you. He was definitely a more refined version of your average child. He lived in a state of perpetual Sunday m
Coool. Yeah, this is a great poster. I actually thought you meant the movie at first. I haven't seen it. Have you?
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